The suicide method of printmaking

I thought I would share a little bit about how I make my prints. Although, I refer to myself as a printmaker, I have come to realize that many people think I paint and then make prints by reproducing my paintings. And… that is not what I do! Each print I make, is a hand carved and hand pulled print. In other words, each print is an original work of art, just like a painting is. 

My favourite method of working with linoblock is often referred to as the "Suicide Method”.

It is a reductive format where I systematically destroy the block I am working on. It’s so much fun! I generally work with a colour pallet that ranges in value from light to darker hues. After I print each colour, the block is carved to eliminate the latest colour from being reprinted. This process continues until the last colour remains and the block is destroyed.

Due to the deterioration of the block through this method, it is impossible to undo any mistakes, making every carving decision final. This ensures that each print series is truly one of a kind and impossible to replicate. 

Colour theory and interactions are also fundamental elements to consider during this process. For example, yellow ink over blue ink will make a layer of green. If I wanted yellow to remain in a print, I would have to begin with yellow.

I do not plan out every layer, as some printmakers do. I respond to each layer, leaving room for an intuitive evolution of colour and imagery to unfold. Minor differences that occur during the hand application of ink also contribute to the uniqueness of every print.

I love the tension and the challenges this method presents. It is truly a labour of love, and the meditative aspects of carving combined with the mechanical act of printing bring many rewards. 

Here are examples of all the layers included in my print entitled ‘Exhale’ .